12 Best Lenses for the Sony a6500 in 2024

If you’re here, then congrats! The Sony a6500 is my favorite camera of all time, so I will do everything I can to try to help you find the perfect lens!

One of the best aspects about the Sony a6500 is the variety of lenses that are available in each price range. However, with that said, it can be overwhelming because of the sheer number of choices. I think what’s important when choosing a new lens for your Sony is to be really honest with yourself in what need and if you even need a new lens.

Because remember, its not the camera or the lens that makes a great photo, it’s truly you as the photographer.

Here are some of the questions I like to go through when thinking about buying a new lens that might help you.

  • What type of environment do you usually shoot in?
  • Are you looking for an all-in-one type of lens to travel with?
  • Would having a constant aperture help you or are you ok with a variable aperture lens? Variable aperture lenses are typically cheaper.
  • Will you be focusing on photography, videography, or both?
  • Are you planning to upgrade to a full-frame Sony camera any time soon? If so, it could make sense to look into full-frame Sony lenses although they are more expensive.
  • How long and how often are you planning on using this lens?
  • Are you ok buying used to save money?

Why Trust Me

image of guy and dog in the snow

As with all of the articles I create, I have poured countless hours of research into this article to make sure I give you as much information as possible to help you make the best decision.

I’ve been a professional travel photographer and filmmaker since 2018 and have been lucky enough to work on projects all over the world with brands such as Alaska Airlines, Kayak.com, Prague Tourism, Visa, Airbnb, and many more. If you’re curious to see the full list of companies we’ve worked with, just head over to our Work With Us page

The first camera I ever bought was the Sony NEX 3 and I have used the Sony a6500 professionally for many years. I even used this camera to shoot my entire award-winning short film Spirit of Matsu.

From these experiences, I’ve become extremely familiar with the Sony a6500 and I think it puts me in a good position to help you find the perfect lens for your camera.

Most importantly, I’m just a message away. So, if you have any questions, just leave a comment below, email me at [email protected], or send me a DM on Instagram @tom.shu.

P.S. I answer every question that is sent!

Affiliate Links

For each of the cameras, I included affiliate links to either Amazon, Adorama, or eBay. By using these affiliate links, you support the ongoing maintence of this website.

To help make it easier for you, I try to keep these links as updated as possible, but make sure to shop around as there are so many great camera deals now.

Another great option is buying pre-owned as you save money while extending the life of a camera. I understand buying used isn’t for everyone, but I’ve only had postive experiences buying used from small businesses and individuals on eBay. As long as their seller rating is high, you should be good and many sellers also accept returns if you’re not satisfied.

Best Lenses for the Sony a6500: My Top Picks

Lens Name
Lens Type
Best For
Price
Sony SEL1670Z Vario-Tessar T E 16-70mm F4 ZA OSS
Sony 16-70mm f/4 Zeiss
Tom's Top Pick
Standard Telephoto
All around travel, landscape
Sony SELP18105G E PZ 18-105mm F4 G OSS , Black
Sony 18-105mm f/4 G OSS
Tom's Top Pick
Standard Telephoto
All around travel, landscape
Sigma 30mm F1.4 Contemporary DC DN Lens for Sony E Black
Sigma 30mm 1/1.4
Tom's Top Pick
Prime
All around travel, low-light, cinematic, portrait, street photography
Sigma 16mm f/1.4 DC DN Contemporary Lens for Sony E (402965) Black
Sigma 16mm f/1.4
Prime
Low-light, cinematic, landscape
Sony SEL1655G Alpha 16-55mm F2.8 G Standard Zoom APS-C Lens
Sony 16-55mm f/2.8 G
Standard Telephoto
All around travel, low-light, cinematic, portrait, street photography, landscape
Sony SEL35F18 35mm f/1.8 Prime Fixed Lens
Sony 35mm f/1.8 OSS
Prime
All around travel, low-light, cinematic, portrait, street photography
Sony FE 70-200mm F4 G OSS Interchangeable Lens for Sony Alpha Cameras
Sony 70-200 f/4
Telephoto
Wildlife, landscape, lens compression images, sports
Sony SEL16F28 16mm f/2.8 Wide-Angle Lens for NEX Series Cameras
Sony E 16mm f/2.8
Prime
Travel, low-light, landscape
Sony - E 10-18mm F4 OSS Wide-Angle Zoom Lens (SEL1018),Black
Sony E 10-18mm f/4 OSS
Wide Angle
Wide angle needs, landscape
Sony E 55-210mm F4.5-6.3 Lens for Sony E-Mount Cameras (Black)
Sony E55-210mm f/4.5-6.3 OSS
Telephoto
Wildlife, landscape, lens compression images
Sony Alpha 70-350mm F4.5-6.3 G OSS Super-Telephoto APS-C Lens
Sony E 70-350mm f/4.5-6.3 G OSS
Telephoto
Wildlife, landscape, lens compression images
Sony 18-200mm F3.5-6.3 E-Mount Lens SEL18200LE
Sony 18-200 f/3.5-6.3 OSS
Telephoto
Wildlife, landscape, lens compression images

Reviews of the 12 Best Lenses for the Sony a6500

image of camera being thrown up against white background

1. Sony 16-70mm f/4 Zeiss

Sony SEL1670Z Vario-Tessar T E 16-70mm F4 ZA OSS
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Sony SEL1670Z Vario-Tessar T E 16-70mm F4 ZA OSS
by Sony
  • Carl Zeiss mid-range zoom lens; Compatible with E-mount Full Frame cameras and E-mount APS-C cameras
  • Minimum Focus Distance : 1.15 feet (0.35 m), Maximum Magnification ratio : 0.23x, Focal Length : 16-70 mm
  • High lens technology in a compact body. Filter Diameter (mm) - 55 mm
  • Optical Steady Shot image stabilization. Zeiss T anti-reflective coating
  • When using a flash, always remove the lens hood and shoot at least 1 m (3.3 feet) away from your subject. Angle of View (APS-C): 83°-23°

The Sony 16-70mm f/4 is one of the best and most popular all-around lenses for the Sony a6500. It is actually one of the first “real” lenses I invested in, so I will always have a soft spot for this lens.

The 16-70mm focal length (full-frame equivalent of 24mm – 105mm) is an extremely versatile focal length range for your Sony a6500. On the short end, the 16mm is wide enough to allow you to fit most subjects in your frame, while 70mm will give you enough telephoto reach to get close to most subjects.

The first thing you’ll notice with this lens is its association with the Zeiss name. It is based on the Zeiss Tessar lens design which gives you great optical performance in a small compact size.

black lens on wood table

As expected, you get great image quality throughout the different focal lengths on this lens. I have read and watched many reviews online which say this lens gets softer when you go past 50mm. However, I have never had problems with image quality when shooting in real-world situations.

Other than the price point, the biggest difference between this lens and the Sony 18-105mm f/4 OSS is that this lens has a mechanical zoom function versus the built-in internal power zoom on the 18-105mm.

I think the mechanical zoom is much easier to use for photography, while the power zoom is easier to use for video, but it’ll depend on your personal preference.

PROS

  • A very versatile focal range of 16-70mm (full-frame equivalent of 24-105mm) making it one of the best travel lenses for the Sony a6500.
  • Great optical performance that is based on the Zeiss Tessar lens design.
  • The small and compact size especially for its 16-70mm focal range. About 1 inch shorter than the Sony 18-105mm when fully retracted.
  • Has built-in Optical SteadyShot (OSS) stabilization.

CONS

  • It is about $350 more expensive than the Sony 18-105mm with a more narrow focal range. One of the more expensive lenses in this article.
  • It’s not the fastest lens as the widest aperture is f/4. You will be ok in most situations, but you might run into a little trouble if you’re shooting handheld in low-light situations.
  • Not weather sealed which is unfortunate given its high price point.

Check Price/Buy: Amazon | Adorama | eBay

2. Sony 18-105mm f/4 G OSS

Sony SELP18105G E PZ 18-105mm F4 G OSS , Black
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Sony SELP18105G E PZ 18-105mm F4 G OSS , Black
by Sony
  • High performance E mount lens with excellent contrast; Minimum Aperture (F): 22
  • Minimum Focus Distance : 1.48 (Wide) 3.12 ft (Tele), Maximum Magnification ratio : 0.11x, Focal Length : 18 105 mm
  • Versatile 27 158mm (35mm equiv.) zoom range. Angle of view (APS C): 76° 15°. Number of aperture blades are 7
  • Constant F4 maximum aperture throughout the zoom range. Filter diameter (mm):72 mm
  • It is recommended that you use a lens hood to reduce flare and ensure maximum image quality.Focal Length (mm) 11/16 4 1/8 35 mm equivalent focal length (APS C) 1 1/16 6 3/16 inches

The Sony 18-105mm is another one of the best all-around lenses for Sony a6500 and it shares many similarities with the Sony Zeiss 16-70mm.

Like the Sony 16-70mm, it has a constant f/4 aperture throughout its zoom range, which is nice to have if you’re shooting in low-light, or doing video work. What separates this lens from the 16-70mm lens is that this lens gives you an incredible focal range from 18-105mm. This is equivalent to a full-frame focal range of 27-152mm so you will have even greater flexibility in the focal range.

The other main difference is that the zoom functionality on this lens is all internal, so when you zoom in and out, the lens does not extend or retract like the Sony 16-70mm lens.

The internal zoom is an especially great fit for shooting video with a gimbal as you won’t have to rebalance the gimbal after zooming in. The biggest downside is that each time you turn off your camera, the lens resets to 18mm and you will have to zoom in to the focal length you want again.

PROS

  • An even more versatile focal range of 18-105mm (full-frame equivalent of 27-152mm) making it another one of the best travel lenses for this camera.
  • Great value lens with a reasonable price for the features especially when you compare it with the Sony 16-70mm lens.
  • It has a constant f/4 aperture throughout its focal range.
  • Internal zoom functionality so your lens does not extend out when you zoom. Really nice for shooting video with a gimbal.
  • Has built-in Optical SteadyShot (OSS) stabilization.

CONS

  • It’s not the fastest lens as the widest aperture is f/4. You will be ok in most situations, but you might run into a little trouble if you’re shooting handheld in low-light situations.
  • The maximum aperture of f/4 won’t give you as shallow depth of field as some of the prime lenses we will cover.
  • Not weather sealed, which is understandable given the price point.

Check Price/Buy: Amazon | Adorama | eBay

3. Sigma 30mm f/1.4

Sigma 30mm F1.4 Contemporary DC DN Lens for Sony E Black
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Sigma 30mm F1.4 Contemporary DC DN Lens for Sony E Black
by SIGMA
  • SONY E-mount
  • With nine rounded aperture blades, a stepping ring motor, and compact design
  • Perfect paring of high performance and pricing, Contemporary compactness, Art line Image Quality
  • Accessories Included: Lens Hood, Rear and Front Cap
  • For APS-C Mirrorless cameras including Sony E mount and Micro Four Thirds

The Sigma 30mm f/1.4 is one of the best value prime lenses available for the Sony a6500. For about $100 cheaper than the Sony 35mm f/1.8 OSS, you still get incredible image quality that is on par or even better than the Sony lens.

The 30mm focal length (45mm full-frame equivalent) puts it close to the “Nifty-Fifty” focal length too, so you will be able to produce natural-looking imagery like the Sony 35mm f/1.8 OSS.

With the f/1.4 aperture, you also get a slightly faster lens which is nice if you shoot a lot in low-light situations.

Additionally, the bokeh it produces at these wider apertures is beautiful, dreamy, and soft making the Sigma 30mm f/1.4 another one of the best portrait lenses for the Sony a6500. For such a small lens, you really can get some incredibly cinematic shots.

The biggest downside is that this lens does not have stabilization like the Sony 35mm f/1.8 OSS. Again, it’s not too big of a deal because the Sony a6500 has built-in 5 axis image stabilization. So if you want to skip having lens stabilization and save a little bit of money, this lens is a good choice.

PROS

  • “Nifty Fifty” focal length on the APS-C sensor with a maximum aperture of f/1.4 makes this another one of the best portrait lenses for the Sony a6500.
  • Very good, sharp, image quality throughout the different apertures.
  • You can produce some very cinematic, intimate shots with its 30mm focal length and f/1.4 aperture.
  • Great value for its price point as you can usually find it about $100 cheaper than the Sony 35mm and it has the same image quality.

CONS

  • It does not have built-in lens stabilization, which could make getting smooth video footage a little more difficult than a lens with stabilization.
  • The autofocus does not work as quickly on every autofocus setting as the Sony 35mm because it is not a native Sony lens.

Check Price/Buy: Amazon | Adorama | eBay

4. Sigma 16mm f/1.4

Sigma 16mm f/1.4 DC DN Contemporary Lens for Sony E (402965) Black
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Sigma 16mm f/1.4 DC DN Contemporary Lens for Sony E (402965) Black
by SIGMA
  • Compatible with Sony E mount cameras
  • Perfect for nature & event photography
  • Large f/1.4 aperture for superb lowlight performance
  • Compact size makes it very portable
  • Fully accommodates Fast Hybrid AF

The Sigma 16mm f/1.4 is a direct competitor with the Sony E 16mm f/2.8 (which we will go over next) and is a great prime lens if you’re looking for the best image quality and have the extra budget.

When compared to the Sony E 16mm f/2.8, the Sigma 16mm f/1.4 will give you better image quality throughout and has a maximum aperture of f/1.4 versus f/2.8 on the Sony lens. The wider maximum aperture will give you a greater shallow depth of field when you’re shooting photos or videos and is more flexible in low light situations.

This is one of my favorite lenses to shoot video with.

Surprisingly, even though it’s a third party lens from Sigma, the autofocus is super quick. Add the quick autofocus to the maximum aperture of f/1.4 and you can capture very cinematic footage with this lens.

To give you an idea of what you’re able to do with this lens, check out my short film Spirit of Matsu. I shot 90% of this short film the Sigma 16mm f/1.4 lens and the Sony a6500.

PROS

  • Can get an incredible depth of field and produce very cinematic photos and videos with the maximum aperture of f/1.4.
  • Sharper and better image quality when compared to the Sony 16mm f/2.8.
  • Fast and responsive autofocus for photography or video work.

CONS

  • Close to double the price of the Sony 16mm f/2.8.
  • No built-in optical image stabilization which is a bummer considering the price point.
  • Almost 3 times the size of the Sony 16mm f/2.8 so it’s harder to carry around.
  • You still might need to get other lenses to make sure you’re covered at different focal lengths.
  • Not weather sealed.

Check Price/Buy: Amazon | Adorama | eBay

5. Sony 16-55mm f/2.8 G

Sony SEL1655G Alpha 16-55mm F2.8 G Standard Zoom APS-C Lens
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Sony SEL1655G Alpha 16-55mm F2.8 G Standard Zoom APS-C Lens
by Sony
  • Standard zooms with outstanding corner-to-corner G lens resolution
  • Constant F2.8 Max aperture maintains exposure and depth of field
  • Two advanced aspherical plus two aspherical elements suppress aberration
  • Xd linear motor for fast, precise, quiet AF and tracking
  • 9-Blade circular aperture contributes to gorgeous book

The Sony 16-55mm f2.8 G is one of Sony’s newest premium lenses for their APS-C cameras like the Sony a6500. Since this is a premium APS-C lens with a high price point, I think you should really only consider this lens if:

  • You know you will not be upgrading to a full-frame Sony camera soon and you want the best quality and sharpest images possible out of your Sony a6500.
  • The 16-55mm focal range will cover most situations you are in. I say this as you could buy the Sony 18-105 and one of the prime lenses in the next section at a cheaper price than this lens.
  • You think you will need a constant f/2.8 aperture based on the situations you find yourself in.

If any of this sounds like you, then the Sony 16-55mm f/2.8 G could be a great fit for you.

The lens shares many of the same features as the premium Sony full-frame G Master lenses. It is weather-sealed, has an autofocus / manual switch, a focus hold button, and even has the same grainy black finish.

Sony was also able to keep it very small and lightweight especially for a zoom lens with a constant f/2.8 aperture.

PROS

  • A very premium APS-C lens that will give you incredibly sharp, high-quality images throughout its focal range.
  • Additional features such as an autofocus / manual switch and a focus hold button on the side of the lens, which is usually only found on Sony’s full-frame lenses.
  • A constant aperture of f/2.8 makes it a great lens in many lighting conditions.
  • It is weather sealed.

CONS

  • Very high price point. You could get the Sony 18-105 and a high-quality prime lens for a lower total price.
  • No built-in Optical SteadyShot (OSS), which is a let down given the high price point.
  • You still may want a zoom lens to give you further reach than the 55mm focal length.

Check Price/Buy: Amazon | Adorama

6. Sony 35mm f/1.8 OSS

Sony SEL35F18 35mm f/1.8 Prime Fixed Lens
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Sony SEL35F18 35mm f/1.8 Prime Fixed Lens
by Sony
  • Compact, lightweight fixed F1.8 lens.Angle of View (APS C) 44 °
  • Minimum Focus Distance : 0.99 ft (0.3 m), Maximum Magnification ratio : 0.15x, Focal Length : 1.38 in
  • New optical design for excellent peripheral sharpness and contrast, Built in image stabilization
  • Silent and smooth high speed focusing ideal for shooting movies. Superb focusing operation
  • Lens group or elements is 6/8. If auto focus cant lock on or focuses on the wrong subject, step in and take total control with direct manual focus.Image stabilization (SteadyShot):Optical SteadyShot
  • Format: APS-C, 35 mm equivalent focal length (APS-C): 52.5 mm
  • Lens not zoomable

The Sony 35mm f/1.8 is a prime lens at the versatile 35mm focal length on the APS-C sensor. This lens has a full-frame equivalent of 52.5mm so it’s the closest you will get to a “Nifty Fifty” lens for your Sony a6500.

The reason photographers/videographers love the 50mm focal length is that it’s the most identical to the human eye. Because of this, the images and videos the lenses at this focal length produce are the most natural-looking, especially if you compare it to a wide-angle lens.

With a maximum aperture of f/1.8, it’s a very fast lens, which will give you flexibility in a variety of different lighting conditions. The combination of focal length and aperture also makes this one of the best portrait lenses for the Sony a6500.

Additionally, this lens also has Optical SteadyShot (OSS) which will allow you to get smoother video footage and will help capture sharp images if you ever take photos handheld at slower shutter speeds.

PROS

  • “Nifty Fifty” focal length on the APS-C sensor with a maximum aperture of f/1.8 makes this one of the best portrait lenses for the Sony a6500.
  • The fast aperture of f/1.8 gives you the flexibility to shoot in a variety of different lighting conditions.
  • You can produce some very cinematic, intimate shots with its 35mm focal length and f/1.8 aperture.
  • Built-in Optical SteadyShot to stabilize your video footage or when you take photos handheld at slower shutter speeds.

CONS

  • The focal length is not very wide so it could limit you in some situations.
  • The Sigma 30mm f/1.4 is a more budget-friendly option with the same or better image quality.

Check Price/Buy: Amazon | Adorama | eBay

7. Sony 70-200 f/4

Sony FE 70-200mm F4 G OSS Interchangeable Lens for Sony Alpha Cameras
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Sony FE 70-200mm F4 G OSS Interchangeable Lens for Sony Alpha Cameras
by Sony
  • Brand is Sony
  • Minimum focus distance:1–1.5 m (AF)/1–1.35 m (MF) (3.28–4.93 ft [AF]/3.28–4.43 ft [MF]), Maximum Magnification ratio : 0.13x, Focal-Length : 70–200 mm
  • Interchangeable Lens
  • SEL70200G

This is a full-frame zoom lens made for Sony’s full-frame cameras like the Sony a7III or Sony a9. So, you should only consider this lens if you’re thinking about upgrading to Sony’s full-frame system soon.

As I mentioned before, even though it’s a full-frame lens, it will still work with your Sony a6500 because they use the same E Mount System. The reason why it might be worth looking into is that you will save money in the long run if you’re planning to upgrade soon.

If you’re thinking about making the switch to full-frame, I think a telephoto lens is the perfect type of lens to start with. This is because there is a 1.5x crop factor with the APS-C sensor on the Sony a6500 that you have to take into account, which won’t be as big of a deal with a telephoto lens.

If you put a full-frame 35mm lens on your a6500, it would essentially be a 50mm lens with the crop factor which might not be what you’re looking for.

On the other hand, telephoto lenses are meant to zoom in close to a subject. So, even though the 70-200mm will be more like a 105-300mm lens with the crop factor, the additional reach isn’t necessarily a bad thing.

The Sony 70-200mm f/4 is one of the best zoom lenses for Sony’s full-frame system. It has amazing image quality, the zoom functionality is all internal, and it’s pretty light for being a zoom lens. You do lose the extra stop of light when compared to the full-frame Sony 70-200mm f/2.8 G Master, but you also save over $1k by going with the f/4 version.

PROS

  • Will future proof your set-up if you’re thinking about upgrading to a full-frame Sony camera soon.
  • One of the best zoom lenses for the Sony full-frame system that produces extremely sharp photos.
  • Has a premium build and includes an AF/MF switch, OSS On/Off switch, and focus hold button on the side of the camera.
  • Cheaper and lighter than the f/2.8 version of this lens making it more friendly for travel.
  • Constant aperture at f/4.

CONS

  • More expensive since it is a full-frame lens. Almost double the price of the Sony E 70-350mm f/4.5-6.3 G OSS and it has a much more narrow focal range.
  • Heavier than most APS-C specific lenses.

Check Price/Buy: Amazon | Adorama | eBay

8. Sony E 16mm f/2.8

Sony SEL16F28 16mm f/2.8 Wide-Angle Lens for NEX Series Cameras
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Sony SEL16F28 16mm f/2.8 Wide-Angle Lens for NEX Series Cameras
by Sony
  • Lens not Zoomable. Footnotes:"35 mm equivalent focal length (APS-C)" and "Angle of View (APS-C)" are with interchangeable lens digital camera incorporating APS-C type image sensors.
  • Minimum Focus Distance : 0.8 ft (0.24 m)
  • Maximum Magnification ratio : 0.078x
  • Focal Length : 16 mm. Angle of View (APS-C)- 83°. 35 mm equivalent focal length (APS-C)- 24 mm
  • Compatible with optional VCL-ECU1 ultra-wide converter and VCL-ECF1 fisheye converter

The Sony E 16mm f/2.8 is one of the smallest and cheapest lenses you can get for your Sony a6500. It’s a pancake-style lens so even when you put the lens on the body, it’s still small enough to slide in your pocket while walking around.

At 16mm f/2.8 (full-frame equivalent to 24mm), it’s great for street photography, architectural photography, shooting in low-light situations, and vast landscape shots.

When compared with the Sigma 16mm f/1.4, the Sony E 16mm f/2.8 doesn’t have as good of image quality and you lose out on 2 additional stops of light with its aperture of f/2.8 versus the f/1.4 aperture on the Sigma 16mm.

With that said, this won’t matter for everyone. If you’re on a budget and want to save some money, or if you don’t need an f/1.4 lens, then the Sony E 16mm f/2.8 might be a better fit for you.

PROS

  • Small compact and lightweight size. It makes it very easy to carry around with you everywhere you go.
  • Performs pretty well in low-light situations with its f/2.8 maximum aperture.
  • It’s about half the price of the Sigma 16mm f/1.4.

CONS

  • No built-in Optical SteadyShot (OSS) stabilization.
  • The Sigma 16mm f/1.4 produces better quality image quality.
  • The fixed 16mm focal length could limit you in the types of photos you want to take if this is your only lens.
  • Not weather sealed.

Check Price/Buy: Amazon | Adorama | eBay

9. Sony E 10-18mm f/4 OSS

Sony - E 10-18mm F4 OSS Wide-Angle Zoom Lens (SEL1018),Black
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Sony - E 10-18mm F4 OSS Wide-Angle Zoom Lens (SEL1018),Black
by Sony
  • Angle of View (APS-C) - 109 ° – 76 °
  • Minimum focal length of 10 mm (15 mm in 35 mm-camera equivalency)
  • Minimum Focus Distance : 0.82 ft (0.25 m), Maximum Magnification ratio : 0.1x
  • Superbly detailed images;Aperture Maximum: f/4 ; Minimum: f/22. 35mm equivalent focal-length (APS-C) : 15-27mm
  • In-the-box:Hood (ALC-SH123), Lens front cap, Lens rear cap

It’s not technically a prime lens, but I wanted to throw this one into the mix.

The Sony E 10-18mm F4 OSS is one of the best wide-angle zoom lens options for your Sony a6500. It might not be apparent right away, but the additional 6 mm in width this lens gives you when compared to a 16mm lens, makes a huge difference in how much you’re able to fit in the frame.

However, since this lens is more specialized and that it’s at a higher price point, I think it would only make sense if:

  • Your primary focus is on architecture or interior photography.
  • You shoot video or vlogs and could benefit from the wider angle and the Optical SteadyShot.
  • You already have a primary lens and would benefit from a super wide-angle lens.

The lens is compact, lightweight, and produces great image quality for both photography and video. It’s also nice that you can change your focal length between 10-18mm with a constant aperture of f/4.

The biggest downside is its high price point. For 2/3 of the price, you could pick up the Sony 18-105mm f/4, which gives you much more versatility especially if it’s your only lens.

So again, unless you know you will be using the wide-angle to its full advantage, another lens might be a better choice.

PROS

  • A wide-angle lens that will allow you to capture photography and videos at a unique wide-angle.
  • A constant f/4 aperture throughout the focal lengths is nice to have especially for video work.
  • Built-in Optical SteadyShot (OSS) stabilization which will give you smoother video footage and will make it easier to take photographs at slower shutter speeds.
  • Great autofocus + super wide-angle combination makes it one of the best vlogging lenses.

CONS

  • It’s a more expensive lens. For about 2/3 of the price, you could get the Sony 18-105 which covers a much wider focal range.
  • The wide-angle focal lengths could limit you if this is your only lens.
  • At 10mm there is some barrel distortion although you can fix that in post-processing.
  • Not weather sealed which is surprising considering its price point.

Check Price/Buy: Amazon | eBay

10. Sony E55-210mm f/4.5-6.3 OSS

Sony E 55-210mm F4.5-6.3 Lens for Sony E-Mount Cameras (Black)
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Sony E 55-210mm F4.5-6.3 Lens for Sony E-Mount Cameras (Black)
by Sony
  • Wide zoom range (82 - 315mm 35mm equivalent) ideal for sports or nature;Aperture blades : 7
  • Internal focusing for smooth, quiet operation - perfect for video capture.Direct manual focus with non-rotating focus ring during AF: ideal for precise, comfortable manual focus adjustments
  • Optical Steady Shot image stabilization for stable video capture and low light performance
  • Minimum Focus Distance - 3.28 ft, Maximum Magnification ratio - 0.23x
  • Angle of view (on APS-C)-29 °–7 ° 40'
  • Provides a wide focal range of up to 315mm (35mm equivalent) ideal for sports or nature shooting
  • Quiet Internal focusing makes smooth, responsive AF possible with minimum noise. Perfect for video capture
  • Optical SteadyShotTM Image stabilization makes it easier to achieve crisp, stable images
  • Optical SteadyShotTM Image stabilization makes it easier to achieve crisp, stable images and video in low-light or when zooming in on distant subjects
  • Accepts 49mm Filters

If you’re on a budget or if you don’t use a telephoto lens that much, this lens might be for you.

The Sony E 55-210 f/4.5-6.3 is a very budget-friendly variable aperture zoom lens that is made specifically for Sony APS-C cameras like the Sony a6500.

Just to give you an idea of how cheap you can get this lens for, I did a quick search on eBay and found a good selection of used Sony 55-210mm lenses for under $200. You really can’t lose at this price point and it makes for a great secondary lens for your gear pack.

Since it is a budget lens, you can’t expect the same image quality as the Sony 70-350mm lens or the Sony 70-200 full-frame lens, but it’ll still get the job done.

PROS

  • Very low price point and a good value for the wide focal range it has.
  • Includes built-in Optical SteadyShot (OSS) which is nice to have especially when using this lens at longer focal lengths. Even some of the more expensive lenses in this article don’t have OSS.
  • A great companion lens especially given its low price point and lightweight.

CONS

  • It does not produce the sharpest or best quality image, but it still gets the job done.
  • No other negatives given the low price point it is at.

Check Price/Buy: Amazon | Adorama | eBay

12. Sony E 70-350mm f/4.5-6.3 G OSS

Sony Alpha 70-350mm F4.5-6.3 G OSS Super-Telephoto APS-C Lens
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Sony Alpha 70-350mm F4.5-6.3 G OSS Super-Telephoto APS-C Lens
by Sony
  • Telephoto zoom with outstanding corner-to-corner G lens resolution
  • Lightweight (22oz.) remarkably Easy to handle 5x super-telephoto zoom
  • 70-350Mm (105-525mm full-frame equiv.) super-telephoto zoom
  • Xd linear motor for fast, precise, quiet AF and tracking
  • Optical SteadyShot image stabilization

The Sony E 70-350mm f/4.5-6.3 G OSS is Sony’s newest super-telephoto lens for its APS-C cameras.

It’s really crazy how powerful the zoom capability is on this lens. With a max range of 350mm (full-frame equivalent of 525mm), you will easily be able to take unique up-close photos or videos of subjects you normally would not be able to.

To get the same reach with a full-frame Sony lens you would usually have to pay more than double the price

Compared to the Sony 55-210mm, this lens is much more of a premium offering and shares many of the same features as Sony’s full-frame lenses. It includes an AF/MF switch, OSS On/Off switch, and focus hold on the side of the camera. On the picture quality side, you can also expect much sharper images throughout the focal range.

It is a bit of a bummer that the lens is a variable aperture lens, but to keep it affordable, there really was no other choice. Here is how the aperture varies depending on the focal length you’re using:

PROS

  • A very powerful super zoom lens with a crazy 70-350mm focal range.
  • High quality and sharp image quality at all focal lengths throughout the lens.
  • Has a premium build and includes an AF/MF switch, OSS On/Off switch, and focus hold button on the side of the camera.
  • Very good autofocus speed especially for a super zoom lens.

CONS

  • Variable aperture from f/4.5-f/6.3 could be an issue in some lighting conditions depending on if you have a tripod or not.
  • You will probably need another lens to fill the under 70mm focal range.
  • The price is on the higher end.
  • It is not weather-sealed.

Check Price/Buy: Amazon | Adorama | eBay

12. Sony 18-200 f/3.5-6.3 OSS

Sony 18-200mm F3.5-6.3 E-Mount Lens SEL18200LE
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Sony 18-200mm F3.5-6.3 E-Mount Lens SEL18200LE
by Sony
  • High-magnification zoom with image stabilization
  • Minimum focus distance0. 3 (Wide) –0.5 m (Tele) (0.99 [Wide]) –1.64 feet[Tele]); Maximum 0.35 x, Focal Length: 18-200 mm
  • 18 mm wide-angle to 200 mm telephoto assures coverage to capture any scene
  • Optical image stabilization expands handheld shooting options

The Sony 18-200 f/3.5-6.3 OSS is another great choice for an all-around lens because of its crazy focal range from 18-200mm.

With this focal range (full-frame equivalent of 27-300) you will definitely be covered in any situation that you might find yourself. On the shorter focal lengths, it will be wide enough to allow you to fit most subjects in the frame, and on the longer focal lengths, you will have enough reach to zoom in on most subjects you’re shooting.

The biggest downside of this lens is that it has a variable aperture from f/3.5-6.3 versus the constant f/4 aperture that you find on the Sony 16-70mm and Sony 18-105mm.

The variable aperture won’t be that big of an issue if you’re shooting in bright lighting conditions or if you’re using a tripod. However, it could become a problem if you’re shooting handheld in low-light situations or for video work. Here is how the aperture changes based on the focal length you are using:

focal length table of lens

PROS

  • Crazy focal range from 18-200mm will give you an incredible amount of flexibility when you’re out shooting.
  • Lightweight and compact for a lens with this wide of a focal range.
  • Has built-in Optical SteadyShot (OSS) stabilization.

CONS

  • The variable aperture as you zoom in and out could be an issue if you shoot handheld in low-light or if you plan to shoot videos.
  • The image quality is not as good as the Sony 18-105mm and it’s at a higher price point.
  • Not weather sealed.

Check Price/Buy: Amazon | Adorama | eBay


6 thoughts on “12 Best Lenses for the Sony a6500 in 2024”

  1. Hi Tom!
    What is the best one lens that you recommend if it is used for video shooting for travel (need to pack light and versatile too, i know it is alot to ask 🙁

    Reply
    • Hi Anh,

      Thanks for this question too! I think if you’re looking for an all-around lens for video with a wide focal length range, the Sony 18-105 f/4 OSS is your best bet. I like this lens because it has a very versatile focal range from 18-105mm so you should be covered in most situations. Plus, it has Optical Steady Shot and a constant f/4 aperture throughout its zoom range which is a plus for video.

      Another nice part about this lens for video is that it has a power zoom (meaning the lens does not extend when you zoom in and out). This is great if you ever plan to use a gimbal because you won’t have to rebalance the gimbal after zooming in or out.

      I hope this helps and let me know if you have any more questions!
      Tom

      Reply
  2. Nice article! Thanks for the info. I’m curious about two things.

    First, was the Sony Zeiss 24mm f1.8 an intentional omission? What are you thoughts on that lens? It’s old but I hear good things.

    Second, are there any full frame lenses that would make sense to use on the a6000 series cameras? Sony’s 25 and 35 g master lenses seem amazing but at that price point it’s probably just worth upgrading to full frame?

    Reply
    • Hi Will!
       
      Thanks for your message and for your questions! Sorry about the delay in response too as I was caught up with a couple other things
       
      Yes, I left the Zeiss 24mm f1.8 out on purpose as I think the Sigma 16mm, Sigma 30mm, or Sony 35mm 1.8 are better choices given they are much cheaper and give you similar/arguably better image quality.
       
      That’s a good question about full frame lenses. I think in general it would only make sense to go the full frame lens route if you know you’ll be upgrading to a full frame Sony camera or you can find a good deal. If you’re sticking with the a6000 it really doesn’t make much sense because the full frame lenses are more expensive, heavier/bulkier, and you don’t get the max benefit of the full frame lenses on an APSC sensor.
       
      I hope this helps and let me know if you have any other questions!
      Tom

      Reply
  3. One of the most thoughtful and insightful blogs I’ve ever read about the Sony a6500, thank you ! What would you recommend for a wide angle lens for landscapes shoots ?

    Reply
    • Hi Iln! Thanks for the kind words and I’m glad you enjoyed the article! First, I would say it depends on if you would like to use a zoom lens or a prime lens. If you’re thinking about getting a zoom lens, the Sony 18-105mm f/4 is a nice choice as the wide end of this lens will be wide enough for most landscape photos. If you’re looking at a prime lens, I think the Sigma 16mm f/1.8 is one of the best value wide angle lenses for the Sony.
       
      I hope this helps and let me know if you have any other questions!
      Tom

      Reply

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